By David Nicolle
The Arthurian Age; the Celtic Twilight; the darkish a while; the delivery of britain; those are the powerfully romantic names frequently given to at least one of the main burdened but very important classes in British historical past. it's an period upon which rival Celtic and English nationalisms often fought. It was once additionally a interval of cost, and of the sword. This soaking up quantity through David Nicolle transports us to an England shrouded in secret and beset via savage clash, a land which performed host to at least one of the main enduring figures of our background – Arthur.
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Additional info for Arthur and the Anglo-Saxon Wars (Men-at-Arms, Volume 154)
Neither did I ever see them perform anything with bold resolution. ' Elsewhere he accuses them of 'basely withdrawing from danger' when threatened, 39 and of giving little help to their infantry, citing the Battle of Kinsale where they broke their own foot in their haste to get away. By contrast he observes that 'our English horsemen, having deep war saddles and using pistols as well as spears and swords, and many of them having corselets and like defensive arms, and being bold and strong for encounters and long marches, and of greater stature than the Irish, our troops must needs have great advantage over theirs'.
This is why, as Harington remarked, the Irish 'dread of our horse causeth them to observe diligently all their motions'. Tyrone and a few other chiefs certainly made some effort to improve the quality of their cavalry. The fact that O'Neill himself and one of Maguire's horsemen shivered their lances on each other's armour at the Battle of the Erne Fords in 1593 tells us that both must have been riding with stirrups, wearing plate armour and, probably, had their lances couched. e. ready to be couched), while lighter cavalry there wielded longer lances overarm and hurled javelins.
B2: Galloglass, 1521 From Dürer's drawing. Note the curious upturned nasal of his helmet, an early appearance of similar nasals to be found in later prints (see D2 and E2). The huge sword and bow which Dürer's original gives him instead of an axe are improbable weapons, and tend to confirm the theory that the picture was drawn from hearsay or based on the sketches of others. Robert Devereux, Earl of Essex. His unauthorised return to England after a disastrous and colossally expensive campaign in Ireland in 1599 led to his downfall.
Arthur and the Anglo-Saxon Wars (Men-at-Arms, Volume 154) by David Nicolle