By Steven Woodward
Polish filmmaker Krzysztof Kieslowski died unexpectedly in March 1996 at exactly the second he had reached the peak of his occupation and won an international viewers for his paintings with the 3 colours trilogy (1993-94). for the reason that his dying he has been hailed as one of many maximum and such a lot influential administrators of all time, increased to the elite of global cinema along Jean Renoir, Robert Bresson, Federico Fellini, Yasujiro Ozu, Max Ophüls, and Andrei Tarkovsky. In After Kieslowski, best members diverge from the common research of Kieslowski's paintings to target his legacy in movies made after his dying, together with these in accordance with his scripts and concepts and people made totally through different filmmakers.
Kieslowski's wealthy legacy is rooted in not just a truly major physique of early paintings made earlier than his step forward motion pictures yet one other trilogy of movies that he have been engaged on sooner than his loss of life, a number of of that have long gone directly to be produced. additionally, actors and assistant administrators concerned with Kieslowski additionally made motion pictures that advance his past, incomplete tasks or that derive thematically and stylistically from his paintings. After Kieslowski considers Kieslowski's legacy from 3 wide perspectives-the Polish, the eu, and the worldwide. participants hint his direct impact on filmmakers in Poland and Europe, together with Jerzy Stuhr, Krzysztof Zanussi, Emmanel Finkiel, Julie Bertucelli, and Tom Tykwer, in addition to issues of thematic accident among his paintings and that of Jean-Luc Godard, P. T. Anderson, David Lynch, Michael Haneke, Abbas Kiarostami, and Paul Haggis. This assortment additionally strains the reemergence of Kieslowski's special visible signature in motion pictures by way of Ridley Scott, Santosh Sivan, John Sayles, and Julian Schnabel, and his hugely unique use of tv serial-narrative shape that's echoed in no less than significant American tv sequence, HBO's Six ft less than and ABC's misplaced.
interpreting Kieslowski's legacy is a manner of considering either concerning the designated good points of Kieslowski's paintings and approximately matters which are now on the middle of up to date filmmaking. movie students and scholars will savour this groundbreaking volume.
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Additional resources for After Kieślowski: The Legacy of Krzysztof Kieślowski
The Influence of Anxiety Within a film and media context, influence is addressed conventionally with reference to varied questions of intertextuality, mimesis, homage, parody, and pastiche, in which a bond is suggested, from the respectful to the mocking, between films and filmmakers. Studies of genre especially are necessarily indebted to such discussion. It is, however, to the literary realm that I wish to turn for my own theoretical points of reference in this article, adopting and adapting them in line with my filmic argument.
The film by Kieślowski documents nine crucial months in the life of two young Warsaw inhabitants—the seventeenyear old Jadźka and her boyfriend, the twenty-year old Romek—as they work and complete high school. The camera follows them from the moment Jadźka discovers that she is pregnant to the birth of their daughter, Ewa, and the film ends with a scene of Jadźka and Romek beside their baby girl’s crib, pondering her future. As the Polish critic Andrzej Kołodyński writes, the initiative to continue the project came from the Documentary and Feature Film Studio in Warsaw (WFDiF), which owns footage not used by Kieślowski in the original film (Kołodyński 4).
Kieślowski. Ważne, żeby iść . ). The Katowice conference, organized by the film unit TOR, Silesia Film, and the Katowice Film School, attracted several Kieślowski scholars, filmmakers, and critics who discussed the director’s legacy. ” The event consisted of film screenings, concerts featuring music from Kieślowski’s films, scholarly seminars, and informal discussions with Kieślowski’s friends and collaborators. 1 Another Polish Television channel, “Kultura” (Culture), showed all of Kieślowski’s works (including documentaries, feature films, and television plays) from 10–13 March.
After Kieślowski: The Legacy of Krzysztof Kieślowski by Steven Woodward