New PDF release: After Effects in Production: A Companion for Creating Motion

By Trish Meyer

ISBN-10: 0080522009

ISBN-13: 9780080522005

ISBN-10: 1578202647

ISBN-13: 9781578202645

Take your After results talents to a brand new point! Twelve step by step tutorials, designed via execs, discover quite a few artistic methods as they educate necessary layout techniques and construction techniques.Updated for After results 6.5, this new version covers the main major model five and six gains together with 3D area, cameras, lighting, parenting, textual content, animation presets, paint, and expressions. every one conscientiously dependent venture offers the "why" at the back of the stairs, so that you can adapt those innovations on your personal designs and movement pictures paintings. All include undying options that would be of use for a few years to come.After results in construction additionally comprises six case reviews of industrial initiatives created through award-winning studios corresponding to ATTIK, trust, Curious images, The Diecks workforce, Fido, and the authors' personal studio, CyberMotion. those aspect the combination of After results, 3D courses, dwell motion, and various animation options, revealing the inventive strategies at the back of the spots in addition to the artistic suggestions used to execute them. The enclosed DVD includes QuickTime video clips of every of the ultimate animations, permitting you to step via them frame-by-frame so that you can study them intimately. Take your After results talents to a brand new point! Twelve step by step tutorials, designed by way of pros, discover various techniques as they train invaluable layout suggestions and construction tips.

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Extra resources for After Effects in Production: A Companion for Creating Motion Graphics

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Best Quality ensures that layers are antialiased as they are transformed (rotated, scaled, and so on) and move with subpixel positioning. In addition, any effects applied that create new pixels (such as warping effects), will render more smoothly than in Draft. RAM Preview and tweak the scale graph to taste. When you’re done, twirl up the Scale property to clean up the Timeline, and return to time 00:00. You know the routine: If you want to compare your version with ours, or pick up this tutorial in the middle, check out [AtomicCafe_after Step 23].

Its Scale property should be visible (if not, type S to twirl it down). ț Check the keyframe box for the Scale property to add another Scale keyframe at this time (10:15). It should have the same value as the previous keyframe: 90%. Click the keyframe box for the Scale property to create a new keyframe at the current time (10:15). 31 Tutorial 1 // Atomic Café 41 Set a third Scale keyframe at 10:15 and select the last two keyframes before you apply The Wiggler. ț This new keyframe will automatically be selected when you created it.

This will tidy up the timeline by consolidating (or “grouping”) the four layers down to one, and make it easy to turn the background on and off as a group. Blending Layers Combining multiple layers with Blending Modes works best if the sources are not super busy. If one layer is dominating the balance of the mix, don’t be afraid to reduce its opacity or desaturate its color. STEP 29: Select the four background layers – they should be the four bottom layers in the Timeline window – and Layer>Pre-compose them, or use the shortcut: Command+Shift+C (Control+Shift+C).

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After Effects in Production: A Companion for Creating Motion Graphics by Trish Meyer


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