By Jayne Pilling
Cartoons―both from the vintage Hollywood period and from extra modern characteristic motion pictures and tv series―offer a wealthy box for particular research and research. participants draw on theories and technique from movie, tv, and media reports, artwork heritage and feedback, and feminism and gender studies.
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Additional info for A Reader In Animation Studies
6. 7. 8. 9. 10. The culmination of these efforts, of course, was Snow White (1937), a feature-length cartoon. However, the same drive is evident in countless other Disney animation shorts produced both before and after the latter. A classic in this regard is The Old Mill released the same year as Snow White as part of the Silly Symphonies series. For the purposes of reproduction and distribution the digital image is downloaded into hard copy – CRT and then film – from the computers central processing unit and memory store.
In this instance, the combination is not of already produced images – raw material awaiting some kind of work combination. Rather, it is a question of the synthetic combining through the computer of a number of prior image forms. These are: Disney-style animation, three-dimensional animation and live action cinema. Each of these kinds or forms of film provide a partial model for the programmers and animators to aim for in the search for heightened illusionism. The computer eventually brings them all together (fusing them) in the process of synthesising the final simulation or image.
His trapdoor stayed. He was to have ridden into space so that strings from his fingers attached to an object. In the film this became a net. In suggested reshoots, Gilgamesh saw an insect along the wires and shot it down; dead Enkidu was spun in a web. 29 A READER IN ANIMATION STUDIES 30 Above left A drawing by violent Adolf Wöllfli, whose works depict visions and punishment fantasies ©Atelier Koninck Above right A caricature by the arist Friedrich SchröderSonnenstern, whose works depict inflamed organs and big-breasted women like ‘baboons in heat’ © Atelier Koninck Gilgamesh turned human, but only via the ‘unbearable singleminded arrogance’,14 as the Quays wrote, of three schizophrenic painters.
A Reader In Animation Studies by Jayne Pilling