Read e-book online A Director Prepares: Seven Essays on Art and Theatre PDF

By Anne Bogart

ISBN-10: 0203165543

ISBN-13: 9780203165546

ISBN-10: 0203260074

ISBN-13: 9780203260074

ISBN-10: 0415238315

ISBN-13: 9780415238311

ISBN-10: 0415238323

ISBN-13: 9780415238328

A thought-provoking exam of the demanding situations of creating theatre.

content material: reminiscence --
Violence --
Eroticism --
Terror --
Stereotype --
Embarrassment --

An exam of the demanding situations inherent in making theatre. concentrating on the braveness required to create "art with nice presence", every one bankruptcy tackles one of many seven significant components pointed out with Read more...

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Extra resources for A Director Prepares: Seven Essays on Art and Theatre

Sample text

In addition to the early work of Eugene O’Neill, the Expressionist movement included American playwrights Elmer Rice, Susan Glaspell, John Howard Lawson and Sophie Treadwell. These artists rejected Realism and embraced theatricality and the poetry of the subjective experience. They supported native playwrights and were proponents of an American theatre inspired by but not emulating the newest art revolutions in Europe. Robert Edmund Jones declared, Think of it! ’ Their strain of Expressionism can still be felt much later in Tennessee Williams’s Camino Real, Thornton Wilder’s Our Town and Arthur Miller’s Death of a Salesman.

Vaudeville—the word stems from the French voix de ville, voice of the cities—managed to incorporate sketches from the diverse urban immigrant groups under a single roof. For the first time people from different ethnic neighbourhoods came together who, under other circumstances, couldn’t understand one another’s languages and customs. Vaudeville was a loud and lively environment where cultures got to know one another through entertaining sketches and dramas. This highly popular phenomenon MEMORY ••• 33 prevailed between 1865 and 1930.

Our collective dreams will be bigger; the arenas will become more compelling. Perhaps as we remember the past we will find ourselves able to create with more energy and articulation. ••• If I can see far, it is because I stand on the shoulders of giants. (Isaac Newton) As a result of a partnership with memory and the consequent journeys through the past, I feel nourished, enconraged and energized. I feel more profoundly connected to and inspired by those who came before. I feel the courage to articulate for my profession because the shoulders upon which I’m standing feel sturdy.

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A Director Prepares: Seven Essays on Art and Theatre by Anne Bogart

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